For example, he got a job on a potato farm where he exposed the exploitative conditions (almost slave-like) under which the Black labourers worked. Drum sales hit 73,657 in 1955, making it the largest circulation magazine in Africa in any language. Each issue of DRUM was read by up to 9 people, passed from hand to hand on the streets, in the clubs or on the trains. As time progressed, international standing with South Africa would continue to be strained. Interviews [Conversation Issue] [City Editor] Is it possible, or necessary, to write a friendlier and prettier Johannesburg? Circa 1956: Musician and film star Dolly Rathebe poses for her first Drum magazine cover at a mine dump in Johannesburg. DRUM now claims to be the sixth largest magazine in Africa. pilot, son of South African financier Sir Abe Bailey.. Mag Features Fits the Glock 42 9-round capacity extends .75" below the magwell Extra length pro… Choose Options Glock Happy Stick Factory Magazines (22rd/24rd) I first encountered Es’kia Mphahlele when, in…, Contributing Editor Bongani Madondo unmoors Kwame Brathwaite’s Black Is Beautiful from mono-dimensional notions of the Black Atlantic into a New African Globalism of…, The JRB Contributing Editor Panashe Chigumadzi presents a new reading of the work, career and life of Dorothy Masuka, arguing that…, The JRB presents an excerpt from Vintage Love and Other Essays by Jolyon Nuttall. 5 Publication Schedule (2021), [Conversation Issue] [City Editor] Is it possible, or necessary, to write a friendlier and prettier Johannesburg? pilot, son of South African financier Sir Abe Bailey. JOHANNESBURG, SOUTH AFRICA – CIRCA JULY 2015: Historic covers of Drum magazine in an art gallery in Arts on Main, Maboneng Historic covers of Drum magazine. Displayed here are Job Ads that match your query. The aim was to promote an equal society. Sylvester Stein (with a foreword by Anthony Sampson), This page was last edited on 27 January 2021, at 01:42. It was revived in 1968. The world-famous South African magazine Drum, which gave early momentum to the African nationalist movement and produced renowned journalists and photographers, has turned 60 years old. It became a symbol of Black urban life. South African lawyer and part-time fashion model, Thando Hopa, at an exhibition of Drum magazine front pages in. Gianluigi Gueracia/AFP via Getty Images. The formula worked and made for compulsive reading. During this time, Sampson met and formed relationships with future leaders such as Nelson Mandela, and writers like Nadine Gordimer. DRUM is a South African family magazine mainly aimed at black readers containing market news, entertainment and feature articles. When she moved to Johannesburg to write from Drum, her work began to precede her as reputable writer. It was director Zola Maseko's first film and deals with the issues of apartheid and the forced removal of residents from Sophiatown. Johannesburg. Drum’s Office, 1964 photographed by Jurgen Schadeb e rg. Johannesburg, 1951: The magazine Drum fights against the apartheid regime with sharp words and provocative images, becoming the antithesis of the entire South African press. I wanted to be part of that magazine". Black journalists for the Johannesburg Drum magazine were the first to give the issue public exposure, with an intrepid special issue in 1955 that asked, "Why shouldn't our blacks be allowed in the SA team?" Dolly (the agony aunt) helped many a confused, young lover to get their lives back on course. Almost all of Head's important work was written in, Ngakane is most remembered for his 1966 short film. This was fleshed out by imaginative photography. Oxford Book of Twentieth Century English Verse, "Black South African literature from the 'Sophiatown Renaissance' to 'Black Mamba Rising': Transformations and Variations from the 1950s to the 1980s", https://en.wikipedia.org/w/index.php?title=Drum_(South_African_magazine)&oldid=1003010008, Pages containing links to subscription-only content, Creative Commons Attribution-ShareAlike License. "[9], DRUM′s cast of black journalists included Henry ("Mr DRUM") Nxumalo, Can Themba, Todd Matshikiza, Nat Nakasa, Lewis Nkosi and others such as William "Bloke" Modisane, Arthur Maimane, Stan Motjuwadi and Casey Motsisi. Mmatshilo Motsei pays tribute to Es’kia Mphahlele, one hundred years after his birth. The paper in its early years had a series of outstanding editors: Both Sampson and Stein wrote books about their times as editor, Drum: A Venture into the New Africa (1956, republished in 2005 as Drum: the making of a magazine)[6] and Who Killed Mr Drum? Page 1 of 14 jobs. South African lawyer and part-time fashion model, Thando Hopa, at an exhibition of Drum magazine front pages in. In 1955 Sophiatown was bulldozed and the writers died or went overseas,[20] and "...The creative output of the Sophiatown Renaissance came to an end as the bulldozers rolled in...."[21]. Johannesburg. But when the staff of Drum magazine got . The "Dear Dolly" letters were written by Dolly Rathebe, a popular actress, pin-up and singer. Born in Randfontein in 1928, Dolly Rathebe would emerge as a pioneer of the black entertainment industry in South Africa and a central figure in … This creative period has been called the Sophiatown renaissance.[18]. South African lawyer and part-time fashion model, Thando Hopa, at an exhibition of Drum magazine front pages in. Magazine jobs in Johannesburg, Gauteng. Arthur Maimane, under the pseudonym Arthur Mogale, wrote a regular series entitled "The Chief" where he described gangster incidents he had heard about in the shebeens. • Darren Newbury, Defiant Images: Photography and Apartheid South Africa, University of South Africa (UNISA) Press, 2009, ISBN 978-1-86888-523-7 (see Chapter 2, "A fine thing": The African DRUM, and Chapter 3, "Johannesburg lunch-hour": photographic humanism and the social vision of DRUM) South African lawyer and part-time fashion model, Thando Hopa, at an exhibition of Drum magazine front pages in. Drum was started in 1951, as African Drum by former test cricketer and author Bob Crisp[2] and Jim Bailey an ex-R.A.F. Drum Magazine is a writing and editing company based out of 395 E Taylor St, San Jose, California, United States. [10] The other journalists who worked there include Bessie Head,[11] Lionel Ngakane,[12] Richard Rive and Jenny Joseph.[13]. Gianluigi Gueracia/AFP via Getty Images Drum becomes an online-only magazine this month, almost 70 years after it … The backbone of the magazine was crime, investigative reporting, sex (especially if across the colour line) and sport. "DRUM was a different home; it did not have apartheid. Sort by: relevance - date. Drum” Nxumalo on the working and living conditions of blacks culminate in an international uproar. It includes a full set of South African Drum (1951-1984), issues of its sister publications, Drum from other African countries, and an extensive archive of Drum photographers. Todd Matshikiza wrote witty and informed jazz articles about the burgeoning township jazz scene. Gianluigi Gueracia/AFP via Getty Images. Together, they were known as "the DRUM Boys". Henry Nxumalo was the first journalist and specialised in investigative reporting. By May 1965 DRUM had faded and became simply a fortnightly supplement to the Golden City Post,[22] another Bailey property. As part of our January Conversation Issue, guest City Editor Lidudumalingani chats to Outlwile Tsipane about the literatures of Johannesburg…. Vintage Love Jolyon Nuttall Jacana Media, 2018    …, When New York’s pout-fully punk weekly, The Village Voice, announced the end of its print issue last month, Gotham City…, on [Conversation Issue] [City Editor] Is it possible, or necessary, to write a friendlier and prettier Johannesburg? South African lawyer and part-time fashion model, Thando Hopa, at an exhibition of Drum magazine front pages in Johannesburg. Establishing a task force of talented Black writers, DRUM soon became the continent’s first magazine dedicated to documenting the Black experience in a changing South Africa, where the ramifications of the recently elected National Party’s racist policies were beginning to take full effect. A conversation between Lidudumalingani and Outlwile Tsipane, on Tyranny of place, tyranny of time: Remembering Es’kia Mphahlele in his centenary year, by Mmatshilo Motsei, on Wider than the Black Atlantic—Bongani Madondo listens in on Kwame Brathwaite’s visual sounds of Blackness, from the photo book Black Is Beautiful, on Voices as powerful as guns: Panashe Chigumadzi on Dorothy Masuka’s (w)ri(o)ting woman-centred Pan-Africanism, on A 1960s summer in New York with Lewis Nkosi—Read an excerpt from Vintage Love and Other Essays by Jolyon Nuttall, on A stranger in ‘the Village’: Bongani Madondo remembers the magic of The Village Voice in print, The JRB Vol. She wrote short stories for the Johannesburg Golden City Post, which was a weekly supplement and sister publication to the then famous Drum magazine. Drum becomes an online-only magazine this month, almost 70 years after it was first launched as an African print publication. The publication celebrated its coverage of six decades of South African history at a ceremony at Emperor’s Palace, east of Johannesburg, on 26 October 2011. This was the decade of potential Black emergence, the decade when the Freedom Charter was written and the decade when the ANC alliance launched the Defiance Campaign. But while you were inside DRUM magazine, everyone there was a family. It was only when you left DRUM and entered the world outside of the main door that you knew you were in apartheid land. It was not only the writers–the pictures were also important. The “Drum era” of the 1950s has been romanticised as “the fabulous decade” through posters, photographs, film and exhibitions. "[8], Peter Magubane described the atmosphere in the newsroom. T he Johannesburg magazine Drum is widely considered to have been cru-cial to the development of black South African literature in the 1950s . It was also the decade of the movement to the cities, of Sophiatown, of Black jazz, the jazz opera King Kong with a Black cast, an adoption of American culture, of shebeens (illegal drinking dens) and flamboyant American style gangsters (tsotsis) with chrome-laden American cars who spoke a slang called Tsotsitaal. [15] His story was the basis for the 2004 film Drum.[16]. Johannesburg. [7] Most of these journalists went on to publish works in their own right. In 1984 Naspers acquired DRUM Publications, the publisher of City Press, DRUM and True Love & Family. The numerous exposés by investigative journalist Henry “Mr. Johannesburg. The waves break elegantly as a group… Drum Magazine : The Fifties in South Africa Drum Magazine : The Fifties in South Africa Plate, Christoph 1993-04-26 00:00:00 The Fifties may not have been a golden age in South Africa, but they were one of the most creative and inspiring times in politics and the arts. It was a time of optimism and hope. Indeed may be compensated by these employers, helping keep Indeed free for jobseekers. Johannesburg. Initially under Crisp's editorship, the magazine had a paternalistic, tribal representation of Africans,[3] but within a short time Crisp was replaced and the emphasis moved to the vibrant urban black townships. Don Mattera, a leading Sophiatown gangster, took exception to this. [17], DRUM also encouraged fiction. 2. The staff of Drum magazine The press gang. Anthony Sampson was educated at Westminster School and Christ Church in Oxford, and served on the Royal Navy from 1944-7. Drum was started in 1951, as African Drum by former test cricketer and author Bob Crisp and Jim Bailey an ex-R.A.F. He trained a generation of rising black photographers, including Ernest Cole, Bob Gosani and later Peter Magubane. The main photographer and artistic director was Jürgen Schadeberg, who arrived in South Africa in 1950 after leaving a war-ravaged Berlin. "The gangsters were pissed off with him and there was a word out that we should wipe this guy off. Drum depicts Sophiatown in the 1950s, a vibrant place full of music, love, and laughter, and the breeding ground for resistance. [19] This was more than any other African magazine. He became one of the rare European photographers to photograph the daily lives of Black people. South African lawyer and part-time fashion model, Thando Hopa, at an exhibition of Drum magazine front pages in. The magazine is now a celebrity-focused … "[7], The office telephonist, David Sibeko, became leader of the Pan-African Congress. In 2005 it was described as "the first black lifestyle magazine in Africa",[1] but it is noted chiefly for its early 1950s and 1960s reportage of township life under apartheid. The image of the magazine was transformed and its … In 1957, Nxumalo was murdered while investigating an abortion racket. South African lawyer and part-time fashion model, Thando Hopa, at an exhibition of Drum magazine front pages in. South African lawyer and part-time fashion model, Thando Hopa, at an exhibition of Drum magazine front pages in.Johannesburg.Gianluigi Gueracia/AFP via Getty Images Lesley Cowling, University of the Witwatersrand Drum becomes an online-only magazine this month, almost 70 years after it was first launched as an African print publication. DRUM was a "record of naivety, optimism, frustration, defiance, courage, dancing, drink, jazz, gangsters, exile and death". DRUM was distributed in 8 different countries: Union of South Africa, Central African Federation, Kenya, Tanganyika, Uganda, Ghana, Nigeria and Sierra Leone. It has two sister magazines: Huisgenoot (aimed at White and Coloured Afrikaans-speaking readers) and YOU (aimed at demographically diverse South African English-speaking readers of different ethnicities to inform, inspire and entertain them by offering its own brand of coverage on current events and interesting people). This group lived by the dictum "live fast, die young and have a good-looking corpse". (1999) respectively. Bailey moved the magazine headquarters to the more vibrant city of Johannesburg and renamed it Drum. 240,000 copies were distributed each month across Africa. In the 1950s it was the pioneer in black journalism combining investigative and in-depth photojournalism. Drum's heyday in the 1950s fell between the Defiance Campaign and the tragedy at Sharpeville. Initially under Crisp's editorship, the magazine had a paternalistic, tribal representation of Africans, but within a short time Crisp was replaced and the emphasis moved to the vibrant urban black townships. In 1951, due in part to his connection with then editor Jim Bailey, Sampson became editor of Drum magazine in Johannesburg. Es'kia Mphahlele (the fiction editor from 1955 to 1957) encouraged and guided this. The entire collection at Bailey's emanates from Drum Magazine. A conversation between Lidudumalingani and Outlwile Tsipane, Tyranny of place, tyranny of time: Remembering Es’kia Mphahlele in his centenary year, by Mmatshilo Motsei, Wider than the Black Atlantic—Bongani Madondo listens in on Kwame Brathwaite’s visual sounds of Blackness, from the photo book Black Is Beautiful, Voices as powerful as guns: Panashe Chigumadzi on Dorothy Masuka’s (w)ri(o)ting woman-centred Pan-Africanism, A 1960s summer in New York with Lewis Nkosi—Read an excerpt from Vintage Love and Other Essays by Jolyon Nuttall, A stranger in ‘the Village’: Bongani Madondo remembers the magic of The Village Voice in print. Tag: Drum magazine. [7], DRUM described the world of the urban Black; the culture, the colour, dreams, ambitions, hopes and struggles. During that time over 90 short stories were published by such authors as Todd Matshikiza, Bloke Modisane, Henry Nxumalo, Casey Motsisi, Arthur Maimane (alias Mogale), Lewis Nkosi, Nat Nakasa, Can Themba and others. Drum becomes an online-only magazine this month, almost 70 years after it was first launched as an African print publication. Gianluigi Gueracia/AFP via Getty Images July 14, 2020 to the Johannesburg offices, the feeling was of having ‘‘walked into a different world, a world outside South Africa,’’ says Jürgen Schadeberg, the art director there in the 1950s. Sophiatown in the 1950s was an energetic and pulsating freehold suburb, a “black spot” with racially mixed residents, about two-fifths of whom were black. Gianluigi Gueracia/AFP via Getty ImagesJohannesburg. AK 47 assault rifle with round drum magazine. Gianluigi Gueracia/AFP via Getty Images.